COVERED BOWL SHAPE: INGOT-SHAPED COVERED BOWL
The ingot-shaped covered bowl, inspired by ancient Chinese currency known as "yuanbao," symbolizes wealth and prosperity. This unique teaware design is celebrated for its historical and cultural significance, often given as a gift during important events like weddings to convey blessings of fortune. It not only enhances the tea experience with its aesthetic appeal but also serves as a daily reminder of abundance and success.
CUP SHAPE: ARHAT CUP
The Arhat cup, adorned with images of enlightened Buddhist saints, symbolizes spiritual purification and achievement. This cup is not only used for daily tea drinking but also in Buddhist rituals and tea ceremonies, where it facilitates meditation and inner peace. More than just teaware, the Arhat cup represents a commitment to spiritual growth and a purified mindset.
Teaware pattern and text: goldfish, "金玉满堂" (Gold and jade fill the halls), "吉祥" (Auspicious).
Goldfish: In Chinese culture, goldfish symbolize wealth and abundance. The word "fish" (yú) sounds the same as "surplus" (yú) in Mandarin, making goldfish a common symbol for financial growth and surplus. Additionally, their golden appearance links them to prosperity and affluence.
"金玉满堂" (Gold and jade fill the halls): This phrase literally translates to "gold and jade fill the rooms," signifying immense wealth and riches. When used on teaware, it often serves as a blessing for the user or giver to enjoy a life of luxury and wealth.
"吉祥" (Auspicious): The term "auspicious" is widely used in Chinese culture to signify good luck, happiness, and smooth sailing. During significant traditional festivals and celebrations, the word "auspicious" is often used to invoke and convey positive energy and good fortune.
CRAFTSMANSHIP USED IN MAKING THE GAIWAN: FAMILLE ROSE
Famille Rose is a cherished tradition in Chinese porcelain decoration, known for its intricate craftsmanship and vivid colors. Using techniques involving multiple layers of glaze and firing, artisans apply colors like iron red, pink, and purple to create detailed patterns on porcelain surfaces. Each piece reflects meticulous carving and coloring skills, highlighting a deep understanding of color application. Beyond its artistic value, Famille Rose is a vital part of Chinese porcelain culture with rich cultural and historical significance.
MAKING PROCESS
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Making the Clay Body: The process begins with forming the clay body, which is the unglazed porcelain base.
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Initial Firing: The clay body is first fired at about 800°C to achieve a certain level of hardness.
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Glazing: A layer of transparent or white glaze is applied to the clay body, which is then fired a second time at around 1200°C.
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Painting: The painting is done on the surface of the glazed porcelain using specially formulated Famille Rose pigments. Artisans typically outline the design with ink before filling it in with color.
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Low-Temperature Firing: The final step is a low-temperature firing at 700-800°C, which fixes the Famille Rose pigments onto the porcelain surface.
